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北魏石窟造像艺术中“褒衣博带式”佛衣反映了不同文化思想在佛像服饰设计理念上的实用功能和精神功能,其形态呈现了设计思想与文化的交会和契合。本文以麦积山147窟主佛造像为例,从设计与需求、佛家超脱之美、贤达与德才合一、道玄意趣流露、体验美感与象征意义等维度探究文化和设计意涵的内在联系,为跨文化佛衣设计思想研究提供了新思路。
In the art of the Northern Wei Dynasty Grottoes, the “praised clothing belt” style reflects the practical functions and spiritual functions of different cultural thoughts in the costume design concept of the Buddha. Its shape shows the intersection of design ideas and culture. Taking the statues of the main Buddha at 147 Cave of Maijishan as an example, this paper explores the inner meaning of culture and design meaning from the dimensions of design and demand, the beauty of Buddhism’s detachedness, the unity of virtues and virtues, the implication of Taoism, the aesthetic experience and the symbolic significance Contact, provide a new idea for the study of cross-cultural Buddhist clothing design.