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基于现代阐释学理论,探讨名著戏曲改编人物性格的相关问题,有利于打破原著中的人物局限性,名著的改编应把握合理的尺度,在改编过程中对人物性格发展的连贯性和人的主体性进行挖掘,以此来避免由于对阐释空间夸大导致人物性格的单质化,同时,还要在尊重和忠于原著的基础上进行改编和超越。在新的时代背景下,超越原著。通过简单的阐述,阐释空间及其形成的依据,结合越剧《红楼梦》的改编,探讨名著戏曲改编中人物性格的开掘。期望通过分析,避免改编过度的情况。
Based on the modern hermeneutics theory, it is helpful to break the limitation of the characters in the original drama when discussing the related issues of the adaptation of the famous opera to the character of the characters. The adaptation of the famous works should grasp the reasonable scales, the coherence of the character development and the subject of the human In order to avoid the singularity of character caused by exaggerated interpretations of space, at the same time, it should be adapted and transcended on the basis of respecting and loyalty to the original. In the new era background, beyond the original. Through a simple exposition, explaining the space and the basis for its formation, and combining with the adaptation of the “Dream of the Red Chamber” in Yueju Opera, exploring the digging of characters in the adaptation of famous opera. Expect to pass the analysis to avoid over-adaptation.