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中国歌剧的发展经历了摸索期、定性期、成熟期、变革期四个阶段,在这四个阶段学者们都在探讨歌剧与戏曲、歌剧与话剧、中国歌剧与西洋歌剧的相互关系,并在中国歌剧的发展问题上作了多方面的探索。在语言、风格、观念、结构形态诸方面既相互联系又显现出历史继承性,但又彼此区别各具特点,显示出发展的时代性及其辩证扬弃的过程。使中国本民族的歌剧舞台展现出了自身的魅力和广阔的发展空间。中国歌剧是以歌唱为主具有故事情节的艺术作品,在创作上既继承中国传统戏曲的艺术形式,又借鉴了西洋歌剧的艺术形式;是一
The development of Chinese opera has gone through four stages: exploration period, qualitative period, maturity period and transformation period. In these four periods, scholars are discussing the interrelationship between opera and opera, opera and drama, Chinese opera and western operas, and at Many issues have been explored in the development of Chinese opera. In the aspects of language, style, concept and structure, they are interrelated and show historical inheritance. However, they differ from each other in their own characteristics, showing the development of the times and the process of dialectical sublation. So that China’s own national opera stage demonstrated its own charm and broad space for development. Chinese opera is a work of art mainly based on singing and has the plot of the story. It inherits both the artistic form of Chinese traditional opera and the artistic form of Western opera in creation.