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当代侗族文化保护与传承问题的提出,实质上是遭遇了“现代化”和“全球化”而产生的,即是一个“现代性问题”。从主体角度看,文化保护与传承就是维护民族自己的传统并实现为当代的生产和运用于生活,因而文化传承的根本就在现实的实践中延续传统,侗族文化的保护、传承也当如此。“原生态文化”现象的本质在于传统的创造性运用,而不是实证主义所追逐的“原汁原味”的静态保护。侗族文化的“原生态”保护和传承不过是其传统文化的当代再生产,这是正确理解侗族文化归入“原生态”视野和实践的维度。
The issue of the protection and inheritance of contemporary Dong culture is essentially a result of “modernization ” and “globalization ”, that is, a “problem of modernity ”. From the perspective of the main body, the protection and inheritance of culture is to safeguard the national tradition and realize its production and application in the contemporary life. Therefore, the cultural inheritance simply extends the tradition in the practice of reality and the protection and inheritance of the Dong culture. The essence of the phenomenon of “original ecological culture” lies in the traditional creative use, not the static protection pursued by positivism. The protection and inheritance of the “original ecology” of the Dong culture is only the contemporary reproduction of its traditional culture, which is the dimension of correctly understanding the visual culture and practice of the Dong culture under the “original ecology.”