鉴于文革时期的美术活动和整个社会运动如影相随,范围之广也超过以往任何时代。文章从历史的角度考察了文革中最具代表的工农兵美术的发展状况,通过工农兵美术创作含义、工农兵美术学员培训情况和对教学的思考几部份,分析极端功利化了的美术创作、人员培训的教学状况及其产生的弊端。时至今日,面对当前美术教育状况不断功利化趋势,以史为鉴,其中仍有一些值得反思东西。 In the light of the shadow of the fine arts activities during the Cultural Revolution and the whole social movement, the scope of the art was wider than ever before. This article examines the development of the most representative art of workers, peasants and soldiers during the Cultural Revolution from a historical point of view. By analyzing the meanings of the art creation of the workers, peasants and soldiers, the training of fine art trainees, peasants and soldiers and their thinking on teaching, the paper analyzes the extremely utilitarian art creation , Teaching staff training and its drawbacks. Today, in the face of the current tendency of utilitarian art education, the lesson from history is that there are still some things worth reflecting on.