品读倪进祥自作诗联书法作品,我的心无法平静:那一副副联句意境深远、气势豪迈、对仗严谨、平仄和谐,显示了他楹联创作的扎实功底。而承载联语的翰墨,结体空灵、用笔简约、格调高古、气韵连贯,像一泓清澈的泉水,潺潺而来,凸显出古朴、平和、儒雅、从容、脱俗的境界,展示了一位青年军旅书法家特有的“神采”。掩卷而思,我以为有四个方面值得思考:一、法度,“神采”的保障。书法是线条艺术,书法家只有掌握法度,充分领悟并纯熟驾驭法度,才能水到渠成,使有法的线条造型成为“神采”的载体,以达到艺术作品“形”与“神”的统一。历代书法大家都很重视对古人法度的学习,即便在尚意的宋代,书法家对传统的继承也很重视。黄 Reading Ni Jinxiang’s poetic works of calligraphy, my heart can not be calm: that a deputy sentence with far-reaching artistic conception, bold momentum, strict harmony, showing his solid foundation. And carry the cohesion of John Moo, ethereal body, with simple pen, style of ancient, harmonious atmosphere, like a clear spring, gurgling come, highlighting the ancient, peaceful, refined, calm, refined realm, showing a Young military calligrapher unique “look”. To conceal and think, I think there are four aspects worth thinking about: First, the program, “look” protection. Calligraphy is a line art, calligraphers only grasp the law, fully comprehend and skill-based approach, in order, so that the line of law has become a “god” of the carrier, in order to achieve the works of art “” and “god ”Unity. Everybody in calligraphy of the past dynasties attaches great importance to the study of the ancients. Even in the Song dynasty, the calligraphers paid great attention to the traditional inheritance. yellow