新世纪以来,文学和文学史的“重读”已经成为一种具有代表性的文化现象,批评者通过综合性的知识以及知识分子性的“当代”视域与作为“历史”的文学和作家进行重新对话与重新阐释的再造。这种“重读”性的阐释在一定程度上是有效的,这对于祛除以往“非文学”化的阅读具有着诗学上重建的意义。与此同时,带有考古学和现象学意义上的文本“重读”对于再一次还原文学复杂的历史场域 Since the beginning of the new century, the “reread” of the history of literature and literature has become a representative cultural phenomenon. Critics, through their comprehensive knowledge and the “contemporary” perspective of intellectual property and the “historical” “Literature and writers re-dialogue and reinterpretation of the reconstruction. This kind of interpretation of ”re-reading“ is effective to a certain extent, which has the poetic reconstruction significance for dispelling the previous ”non-literary“ reading. At the same time, archeological and phenomenological texts, ”accented", once again restore the complex history of literature