琵琶在中国发展了两千多年,是民乐中“弹拨乐之王”。多年来,困扰琵琶学习者的是琵琶“上手难”的问题。由于其相对于钢琴、古筝用人手天然具有的“抓力”演奏来讲,琵琶的演奏需要学习者不断的练习“逆力”演奏。许多学习者没有重视这一点的重要性,导致学习半途而废。本文从概括的角度讨论了初级琵琶学习者需要注意的问题,以及在琵琶教学中美感的培养对于技术发挥和综合艺术修养的重要作用。 Pipa developed in China more than two thousand years, is the folk music “plucked the king of music.” Over the years, the problem that plagued the learners of pipa was the pipa. Due to its relative to the piano, guzheng hand with people’s natural “grip ” performance is concerned, the pipa performance requires learners to practice “strength ” play. Many learners do not value the importance of this point, leading to learning to come to an end. This article discusses in a general way the issues that primary Pipa learners need to pay attention to and the importance of aesthetics training in Pipa teaching for technical development and comprehensive artistic accomplishment.