我国油画是在中国绘画土壤中发展而来的,而中国绘画精神的基点以“气”为本,决定了中国画尚虚,尚空,在寂处见流行,在流行中见寂处的特点,构成了中国画艺术境界的实相。中国绘画要求不被物象的表面形式,表面形象所拘束,所滞留,笔墨语言必须从实体中解脱出来,这样就导致对逼真的光影,体积感的淡化。其主要语汇始终是线,因为线是时间和空间,情感和理性相融汇的语言,线的韵律是大气流行 China’s oil painting is developed in the soil of Chinese painting, and the basic point of Chinese painting spirit is “gas”, which determines that Chinese painting is still empty, is still empty, see the prevalence in silence, see the silence Features, constitute the realm of Chinese painting art realm. Chinese painting requirements are not restrained by the superficial form of the image or the surface image, and the language of the pen and ink must be freed from the entity, thus leading to the faintness of realistic lighting, sense of volume. The main vocabulary is always the line, because the line is the language of time and space, emotion and reason, the rhythm of the line is the atmosphere