我在陈子这两年的绘画里,看到的是牵动我们敏感神经的情绪。那是工笔绘画的一个现代形态,每一根纤细的笔触下都流露出绘者的惊喜、感叹与忧伤,没有呆板,有的只是生命的脆弱与不安,斑驳的笔迹或精彩的勾线里蕴藏着暗暗的冲撞与纠结。渐渐地,我们熟悉了她一根根茂密有形、葱茏而灵气斐然的头发的造型,穿越那凌乱有致的发型,走近我们的是一张张看似空洞却又至纯至深、晶莹又若即若离的 What I saw in Chen’s two years of painting is the emotion that affects our sensitive nerves. It is a modern form of meticulous drawing. Every slender brush reveals the artist’s surprise, exclamation and sadness without any stiffness. Some are just the fragility and anxiety of life, the mottled handwriting or the wonderful hook line A secret collision and tangled. Gradually, we are familiar with her a dense, tangible, verdant and nocturnal hair styling, through that messy hairstyle, approached us is a seemingly hollow but pure to deep, crystal clear and if of