《带灯》是贾平凹继《秦腔》之后的又一部现实主义乡土力作。在这部作品中,他又一次将关注的目光投向变动中的乡村大地,执拗的将被炫目的城市光色掩盖的农村图景挪移到文学世界中来,自觉以农民代言人的身份固执的在花团锦簇的城市化背景上触目地呈现出乡村大地的死生,以盛世危言的方式敲响现实的警钟。评论家李星认为,《带灯》表现出了贾 “With lights” is Jia Pingwa following the “Shaanxi Opera” after another realism local masterpiece. In this work, he again turned his attention to the changing rural land, stubbornly shifting the picture of the rural areas covered by dazzling city lights to the world of literature, and consciously taking the identity of the peasant spokesperson as a stubborn flower in the flowers On the background of urbanization, the death of the rural land is vividly exposed and the alarm of reality is sounded in a flourishing way. Critics Li Xing believes that “with lights” showed Jia