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花部抛弃了古典诗体的语言形式,采用了白话体的语言形式,以板腔体代替了曲牌体,农民、市民在花部中登上了舞台,花部兴起“可算得中国戏剧史上的一大革命。”乾嘉时期花部戏以民间生活小戏为主,主要是对商人、市民生活和理想的展示与欣赏,对官僚的嘲讽;嘉道时期,花部戏借历史演义表现中国百姓的民族和阶级的意志,传递出金戈铁马,奋勇杀敌的群体意志。花部在喜剧、悲剧、历史传说剧创作和语言方面都取得了很高的艺术成就。
Habu abandoned the classical poetic language form, using the vernacular language form, with the plate cavity instead of the song body, peasants, citizens boarded the stage in the Ministry of flowering, flower department rise “can be regarded as the history of Chinese drama A revolution. ”During the period of the Qianghua period, Huabe Theater mainly focused on small-scale folk livelihoods, mainly displaying and appreciating the life and ideals of merchants and citizens, and ridiculing bureaucrats. In the Jiaqadang period, Huabe Theater borrowed historical performances to represent the Chinese people The will of the nation and the class will convey the will of the people who voluntarily defeat the enemy. Flower Department in the comedy, tragedy, history and legendary drama creation and language have achieved high artistic achievement.