伊·呼和导演的新片《回乡种田》试图回答一个问题:中国,作为960万平方公里的内陆农业大国,经济无论怎样腾飞,三农问题都关系着百姓的命运,关乎国家的前途。电影是艺术,是人们精神享受的对象,不是政治论文。要回答这样重大的问题,影片必须要有乡土特色以及悬念迭生、扣人心弦的好故事,观众才会喜欢。所以他要让故事有趣,让人物有趣,在趣味中体现重大担当。近两个月,央视6套三次播出该片的原因就在于此。 An attempt to answer one question: China, as 9.6 million square kilometers of the major land-based agricultural country, no matter how the economy takes off, the three rural issues are all about the fate of the people and are about the future of the country. Movies are art, the object of spiritual enjoyment, not political essays. To answer such a major issue, the film must have local characteristics and suspenseful and exciting story, the audience will love. So he wants to make the story interesting, interesting people, play a major role in the fun. The past two months, CCTV 6 sets of three broadcast the film lies in this.