绿色设计GD(Green Design)是20世纪80年代末出现的一股国际设计潮流,绿色设计反映了人们对现代科技文化所引起的环境及生态破坏的反思,同时也体现了设计师道德和社会责任心的回归。美国设计理论家维克多·巴巴纳克早在20世纪60年代末就出版了《为真实世界而设计》的专著,他认为,设计的最大作用并不是创造商业价值,也不是包装和风格方面的竞争,而是一种适当的社会变革过程中的元素;设计应该认真地考虑有限的地球资源的使用问题,并为保护环境服务。实质上,专著的核心就是提倡绿色设计。直到70年代‘能源危机’爆发,他的‘绿色设计论’‘有限资源论’才得到世界上越来越多人的关注和认同,‘绿色产品’、‘绿色设计’、‘绿色制造’、‘清洁化生产’、‘再制造工程’以及‘绿色消费’等新理论、新方 Green Design GD (Green Design) is an international design trend appearing in the late 1980s. Green design reflects the reflection of the environmental and ecological damage caused by modern science and technology. It also reflects the moral and social responsibility of designers The return of heart. As early as the late 1960s, American design theorist Victor Babacann published monographs entitled “Designed for the Real World,” arguing that the greatest impact of design is not to create business value nor to packaging and style But rather an element in the process of appropriate social change; the design should seriously consider the use of limited Earth resources and serve the protection of the environment. In essence, the core of the monograph is to promote green design. Until the ’energy crisis’ broke out in the 1970s, his theory of limited resources of’ green design theory ’got more and more attention and recognition from the world.’ Green Products’, ’Green Design,’ ’Green Manufacturing,’ ’ Clean production ’,’ remanufacturing engineering ’and’ green consumption ’and other new theories and new parties