八大山人,清初画坛“四僧”之一,他以隐晦怪异、扑朔迷离的创作手法,表现出孤迥特立,空灵静绝的意境。其作品玄而费解,八大在怪诞与晦涩中想要表达什么?又想要掩饰的是什么?本文将透过八大山人作品“晦涩”的表象,寻找“晦涩”的根源,穿过云遮雾挡的迷离,走进八大山人的意象世界。 Bada Shanren, the Qing dynasty painting altar “four monks ” one of his dark, weird, complicated and confusing creative approach, showing the solitary and extraordinary legislation, ethereal mood. The work is mysterious and hard to understand. What do you want to express in the eeriness and obscurity of the Eighth Congress? And what do you want to hide? In this paper, we will look for the root of “obscurity” through the appearance of the works of Badashan, Through the blur of the cloud block, into the image world of Badashanren.