书法,作为一种极具中国文化气质类型的民族艺术形式,对于当代社会而言更像一个“旧家子”。它孕育在故国文化的梦影韶光里,而今天它又生活在五光十色的现代世界中。它本身所承载的文化因素因为应用的退场而渐至浇漓。随之而来的便是其视觉意义的过分突显与强化。它所带来的影响便是远离了涵融大雅的“书道”传统,开启了以视觉体验为核心的“艺术”先河。确切地说,这是舍本逐末的 Calligraphy, as a form of ethnic art with a very Chinese cultural temperament, is more like a “jiajizi” for contemporary society. It is conceived in the shadow of the dream of ancient Chinese culture, but today it lives in a colorful modern world. The cultural factors that it carries are gradually moving away from the application due to their exit. What followed was the over-emphasis and enhancement of its visual significance. The impact it brings is far away from the traditional “Bookstore” which is full of meaning and richness, opening the “Art ” precedent with the visual experience as the core. To be exact, this is a round-robin