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从《红高粱家族》中,再到《丰乳肥臀》和《红树林》,莫言的作品像一个寓言:男性生理特征的呈现出衰退,男性意识的丧失的趋势,男性本体特征衰败、自我身份迷失的集体病症。而在君特·格拉斯《铁皮鼓》中的奥斯卡其实带有这种在政治集权之下的一种男性特征的丧失。因而本文试图以作品为依据两位笔下人物的分析对男性角色意识挖掘,以探究性别身份嬗变的根由,以及其社会文化内涵与意义。
From “Red Sorghum family”, to “Breastfeeding buttocks” and “Mangroves,” Mo Yan’s work is like an allegory: the decline of male physiological characteristics, the loss of male consciousness, the decline of male body characteristics, the self Collective loss of identity. The Oscars in the “tin-drum” of Junte-Gras, in fact, bore such a loss of masculinity under political centralization. Therefore, this thesis attempts to excavate the male role based on the analysis of the two characters in order to explore the root cause of the transmutation of gender identity and its social and cultural connotation and significance.