在清代书坛的探索振兴之路上,八大山人的书法艺术以其强烈的个性让人耳目一新,至今仍对现代书法具有深刻的启示。明末清初,书坛以修养与功力为旨趣,奉赵孟頫、董其昌、二王为圭臬,千篇一面的馆阁体是进身仕途的敲门砖。此时不乏有识之士开始力避时俗,他们师法高古,直追晋唐秦汉,不断思索求变,以期为书法艺术注入新风。 In the process of exploration and rejuvenation of Qing Dynasty calligraphy, the art of calligraphy of Badashanren is refreshing with its strong personality, and still has profound revelation to modern calligraphy. At the end of the Ming Dynasty and the beginning of Qing Dynasty, the calligraphy culture was aimed at cultivation and skill. In Zhao Mengfu, Dong Qichang and Erwang, the museum body was the stepping stone to enter the official career. At this time there are many people of insight began to avoid the vulgar, they teach the best, follow the Tang and Qin and Han dynasties, continue to ponder change, with a view to the art of calligraphy into the fresh air.