《雨思》是高为杰先生为女高音与7件乐器而作的一部混合室内乐作品。该作品以李清照的《点绛唇》为题材,并以该词作为女高音声部的歌词。作品采用了非八度循环周期人工音阶和传统的多利亚调式音阶来分别表现女主人公与“亲人”形象。作品中的非调性音乐因素虽然占据了大量篇幅,但支撑音乐发展的一个主要方面是调性音乐思维方式。在两个音阶的运用中,作曲家通过共同音的安排调节音高体系的相融性。在音乐的发展中,作曲家将存在于大提琴和钢琴声部的调性音乐作为乐曲调性布局的主导,通过五度的主、属音关系暗示调性,旋律因素在发展的过程中经历了多利亚调式、小调式、大调式、全音阶调式等不同调式色彩。 Raindance is a mixed chamber music piece composed of Gaucho and Soprano for seven instruments. This work takes Li Qingzhao’s “Point Crimson Lip” as its theme, and uses the word as the lyric of the soprano part. The works use non-octave periodic scale and traditional Dorian tone scale to represent the image of heroines and “relatives”, respectively. Although non-toned music elements occupy a large amount of space, one of the main aspects that support the development of music is the tonality music thinking mode. In the use of the two scales, the composer adjusts the harmony of the pitch system through arrangements of common tones. In the development of music, the composers dominated the tonal music existing in the cello and piano parts as the dominant part of musical tonal arrangement. Through five degrees of main and tenor relations, they implied tonality. The melodic factors experienced the development process Dorian mode, minor, major, diatonic tuning and other different colors.