最近,我有机会较集中地观赏了中央电视台《地方台50分钟》专栏在1989年播出过的节目,从中看到我国电视工作者在纪录片风格和模式方面的孜孜追求。由此想到撰写此文,介绍一下“纪录片模式”在国外的发展情况。实际上,我们将探讨的是人的“声音”——广义的说是指编导或制片人的意图、倾向,狭义的说包括解说词、谈话、讲演等表达这些意图、倾向的形式、手段——同画面的关系,并且,由此出发形成纪录片宣传上的策略及艺术上的风格。 Recently, I have had the opportunity to watch more centrally the programs broadcast by CCTV’s “Local 50-Minutes” column in 1989, showing the diligence and pursuit of documentary styles and models by television workers in China. So think of writing this article, to introduce the “documentary model” in the development of foreign countries. In fact, we are going to talk about people’s “voices.” Broadly speaking, it refers to the director’s or producer’s intentions, tendencies, and narrowly defined forms and means of expressing such intentions and tendencies, including narratives, conversations and lectures - The same picture, and, from that, set out the strategy of documentary publicity and the artistic style.