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俗话说:“人靠衣裳马靠鞍”。服装是戏剧艺术的重要组成部分,也是实现导演整体艺术构想的重要环节。人类社会从远古茹毛饮血的原始部落一步步走向了今日的现代文明,其标志之一的服装也由最初的遮掩、御寒功能,发展到了现在的包括上述功能在内的更具美化形象、彰显自身个性的形态。作为舞台服装,尤其是话剧舞台服装,它严格区别于中国传统戏曲服装——化妆脸谱化、服装行当化。而话剧作为最能反映现实生活的艺术,其服装是一出戏一种设计,无法循规蹈矩。舞台服装不仅要大方美观,更要符合剧中人物的身份、性格特性,尤其是
As the saying goes: “people rely on clothes horse saddle ”. Costume is an important part of drama art, but also an important part of the overall artistic concept of director. From ancient primitive primitive tribes to the modern civilization of human beings, human beings have gradually evolved into today’s modern civilization. One of the symbols of the costume has also evolved from the original cover-up and warm-keeping function to a more landscaped image that includes the above-mentioned functions. Shape. As a stage costume, especially drama stage clothing, it is strictly different from the traditional Chinese opera clothing - makeup masquerade, clothing line. As the art which can best reflect the real life, the drama is a kind of design of a play and can not follow the rules. Stage clothing not only generous appearance, but also to meet the identity of the characters in the play, personality traits, especially