很多人都愿意把“胸有成竹”看成指导美术创作的经典方法之一,很多中国美术史类的书籍都在暗示艺术家对作品结构图式的预见的重要性这一不争的真实。造成这一现象的原因或许是因为诸多绘画艺术创作(特别是明清以后的文人绘画作品)给人以介于真实和非真实的半抽象的感觉,或者是源自于同时进行文字 Many people are willing to think of “a well-conceived idea” as one of the classic ways to guide the creation of fine art. Many Chinese books of art history are suggesting the artist’s real importance in predicting the structural schema of the work. This may be attributed to the fact that many paintings (especially literati paintings after the Ming and Qing dynasties) give people a sense of semi-abstraction between true and untrue, or from simultaneous text