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从戏剧艺术审美来看,鲁迅小说中的人物话语明显地体现出戏剧话语的审美特点——不仅显示人物的性格,更具有很直观的动作性。具体表现在人物“自然”对话的动作性和个人独白的动作性两个方面。鲁迅小说中这两种富有动作性的人物话语,不仅指向人物的生存状态,更指向人物的精神状态,在一定程度上体现出了西方戏剧的现代性。鲁迅小说在塑造人物手段上对戏剧艺术的借鉴、融合和创新,增加了自身的表现力,使其对于人物内心活动的展示获得了更为直观、客观、生动的戏剧艺术审美效果。
Judging from the aesthetics of theatrical art, the characters’ discourse in Lu Xun’s novels clearly shows the aesthetic characteristics of theatrical discourse - not only displaying the character’s character, but also being more intuitive and actionable. Specific performance in the character “natural ” dialogue of the action and individual monologue action two aspects. These two actionable figures in Lu Xun’s novels not only point to the living conditions of the characters, but also point to the spiritual state of the characters, to a certain extent, they reflect the modernity of Western drama. The reference, fusion and innovation of drama art in shaping novels by Lu Xun ’s novels have increased their expressiveness and made them more aesthetically pleasing, objective and vivid dramatic arts for the display of their inner activities.