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水墨动画是中国传统水墨画与现代动画技术相结合的产物,是中国动画史上的一大创举,方济众曾担任水墨动画片《牧笛》、《鹿铃》的背景设计。水墨动画和传统水墨画之间有不可分割的传承关系,散发着中国传统的美学精神,通过对水墨动画片《牧笛》和《鹿铃》意境的探讨,来研究传统水墨动画如何体现中国水墨画创作中的意境美,以及它和方济众先生水墨画的关系。
Ink-and-ink animation is a combination of traditional Chinese ink painting and modern animation technology. It is a great pioneering work in the history of Chinese animation. Fang Ji-zong once worked as the background design of “ink-and-goo” and “deer bell” in ink-and-wash cartoons. Ink-ink animation and traditional ink-wash are inseparable inheritance relations, exudes the traditional Chinese aesthetics. Through the discussion of the artistic conceptions of ink-and-oil comics such as “Mudi” and “Deer Bell”, this paper studies how the traditional ink and wash animation embodies the Chinese ink and wash painting The beauty of artistic conception, and the relationship between it and Mr. Fang Jizhong’s ink painting.