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隋朝之前,中国山水画在魏晋、南北朝时期已开始逐渐发展,但仍附属于人物画,作为背景的居多,到了隋唐走向成熟。隋朝的山水画比南北朝时期作为背景的山水有很大改变,各种不同景象的形态及其相互间的关系,在画面里都得到了较好的处理。在画面中不难看出,这一时期的山水画,在审美和对美的认识方面得到显著提高。本文主要研究了隋唐时期山水画的美学思想以及对现代山水画创作的影响。
Before the Sui Dynasty, Chinese landscape paintings began to gradually develop in the Wei and Jin Dynasties and Northern and Southern Dynasties, but they were still attached to portraits and portraits, mostly in the background, and matured in the Sui and Tang Dynasties. The Sui Dynasty’s landscape painting changed a lot compared with the landscape as the background in the Northern and Southern Dynasties. The different forms of the different scenes and their relations with each other were well handled in the picture. It is not difficult to see in the picture that the landscape paintings of this period have been significantly improved in terms of aesthetic and aesthetic understanding. This paper mainly studies the aesthetic thoughts of landscape painting in Sui and Tang dynasties and its influence on the creation of modern landscape painting.