电视剧《好先生》以陆远和甘敬的情感经历为主线,以陆远对亡友孩子和母亲的照顾为辅线,讲述了一个“混世魔王”型的人如何在爱情和亲情中挣扎、自励、成熟并由此成为“好先生”的故事。“爱情”是当下影视作品的主要题材,而对爱情的表达却越来越陷入某种程式化的套路。然而,在《好先生》中,我们却可喜地看到了其爱情叙事无论从艺术表现力、主题意蕴还是社会现实上,都力求实现某种深化与拓展。一、爱情叙事的深化爱情在今天的一些影视中可谓泛滥成灾、庸俗不堪,而男男女女之间暖昧不明、纠缠不清的故 The TV series “Good Sir” takes the emotional experience of Lu Yuan and Gan Jing as the main line, supplemented by Luyuan’s care for the children and mothers of the deceased, and tells how a “devilish” person struggles in love and affection , Self-motivated, matured and thus become a “good man” story. “Love ” is the main theme of the current film and television works, but the expression of love is more and more caught in a stylized routine. However, in “Good Sir,” we are gratifying to see that his love narrative seeks to achieve some kind of deepening and expansion in terms of artistic expression, theme connotation and social reality. First, the deepening of love narrative Love in today’s film and television can be described as flooding, vulgar, and men and women between unknown, tangled