无论在中国传统哲学中还是传统美学中,有为与无为其实没有明确的好坏与等级,只是因为有与无的对立关系,人们容易将其对立起来。八大山人的绘画以其简练的语言和个性的面貌著称,这背后自然有深刻的思想因素,而我们往往只看到外部的个性,或者宏观认为与佛道相关的画家一定会如此,本文则试图解析为何如此。 No matter in Chinese traditional philosophy or in traditional aesthetics, there is no definite quality or grade of being and not being, but it is easy to oppose it simply because of its antagonistic relationship with nothing. Bada Shanren’s paintings are famous for their succinct language and individuality. Naturally, there are profound ideological factors behind them, and we often only see the external individuality or the macroscopic view that the painter associated with the Buddhist and Taoism will certainly do so. Try to explain why.