扬琴在我国流传已有三百多年了,并且在民间艺人的实践中逐渐地也形了一定风格和流派。在建国几十年里,一批有较高文化艺术素养的人(特别是对西洋乐器和当时现存的小扬琴都了解并有一定基础的人),对扬琴艺术的发展起到了积极的引发和推进作用。郑宝恒教授就是其中具代表性的一位。我们对这位几十年默默奉献,用自己勤劳的双手和汗水在中国现代扬琴史上写下了光辉一页的前辈很敬重,因此撰文给予颂扬和充分肯定。当我们的评价 Dulcimer has been circulating in our country for more than three hundred years, and has also gradually shaped a certain style and genre in the practice of folk artists. In the decades since the founding of the People’s Republic, a group of people with high literary and artistic accomplishments (especially those who knew and had certain foundations of Western musical instruments and the existing small dulcimer at the time) played a positive role in the development of the art of dulcimer Promote the role. Professor Zheng Baoheng is one of the most representative ones. We are very grateful to this predecessor, who silently dedication and decades of hardworking hands and sweat wrote a brilliant page in the history of modern Chinese dulcimer, so the author praises and fully affirms it. When we evaluate