论文部分内容阅读
南朝谢赫“六法”是传统中国画的根本大法,它不仅是鉴赏绘画的标准,而且是认识、学习中国画最重要、最概括的方法。但在当代制作盛行、注重视觉效果、动言改造国画、向国际化看齐的时代里,用“六法”来要求国画的声音却颇为寂寥。那么,当代国画能否继续用“六法”作为评判的标准?“六法”中有哪些层面是中国画不能抛弃的精神特质和必须坚守的传统底线?
Southern Sheikh “Six Laws” is the fundamental law of traditional Chinese painting. It is not only the standard of appreciating painting, but also the most important and general way of understanding and learning Chinese painting. However, in the contemporary production of popular, focusing on visual effects, moving words to transform traditional Chinese painting, to the internationalization of the times, with the “six” to ask the voice of Chinese painting is quite lonely. So, can contemporary Chinese painting continue to use “Six Methods ” as the standard of judgment? “Six Methods ” What are the levels of the Chinese traits can not be discarded spirit traits and must adhere to the traditional bottom line?