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诗歌和外在世界的关系,这是评价诗歌的重要角度,也是确定诗歌格调高低的主要尺度。把握这种关系的是诗人,对这种关系的不同处理体现出诗人不同的艺术姿态,而这种姿态对于诗歌的艺术效用发挥着至关重要的作用。换句话说,诗歌的精神向度主要取决于诗人对诗歌与世界的关系的处理,不同的处理方式可以获得不同的艺术效果。从诗歌历史考察,诗人在处理诗歌与世界的关系时,一般主要有四种姿态:对话、介入、逃避、消解,对这些姿态的基本内涵和艺术效用进行比较细致的探讨,对于我们了解当下诗歌的现状和走向具有重要的参考价值。
The relationship between poetry and the outside world, which is an important point of evaluation of poetry, but also to determine the main scale of the poetic style. The relationship between them is the poet, and the different treatment of this relationship reflects the poet’s different artistic gestures, which play a crucial role in the artistic utility of poetry. In other words, the spiritual orientation of poetry mainly depends on the poet’s treatment of the relationship between poetry and the world. Different approaches can obtain different artistic effects. When examining the relationship between poetry and the world, the poet generally has four kinds of gestures: dialogue, intervention, evasion and dissolution, and makes a more detailed discussion of the basic connotation and artistic utility of these gestures. For us to understand the current poetry The status quo and the direction has an important reference value.