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张爱玲在其散文创作中,以隐匿和游离的姿态对人生采取了一种距离审美的观照方式。这种距离审美的观照方式,衍生出以反讽和消解为显著特征的戏剧化视角与思维方式,并在经意与不经意间运用了与之相应的戏剧化手段与表现策略,从而与20世纪西方现代主义诗学形成某种惊人的暗合,成为中国现代散文中一道独特而又超前的奇诡风景。
In his essay creation, Zhang Ailing took a kind of aesthetic approach to life in a concealed and free attitude. This distance from the aesthetic way of thinking, derived from irony and digestion as the salient features of dramatic perspective and way of thinking, and inadvertently and inadvertently use the corresponding dramatic means and performance strategies, and thus the 20th century Western Modernist poetics formed some astonishing concealment, becoming a unique and advanced strange and mysterious landscape in Chinese modern prose.