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此图,虽不详其作者和主题,但画面的内容和杨维桢的题诗,为我们提供了许多可供参考的线索。从《春山图》所描绘的内容以及构图形式和笔墨特点来看,这幅画很显然是直接来自于元代学郭熙一路的画家之手。《春山图》的构图方式,是以平远法和高远法相结合,近景处溪桥茅亭山径曲折,中景是一块高耸突起的巨石,远景则山峰高耸灵动。中景与远景的连接处,安置了成片
This figure, although unknown to the author and subject, but the content of the screen and Yang Weizhen’s poem, provides us with many clues for reference. From the description of Chun Shan Tu, as well as the composition and the characteristics of ink and brush, this painting apparently came directly from the painter Guo Yuan in the Yuan Dynasty. The composition of “Spring Mountain Map” is based on the combination of the far-reaching method with the lofty method. The near view is at the junction of the Maoting Trail in the Xiqiao and Maoting Trails. The middle view is a towering boulder with a magnificent view of the mountain. Medium and long-distance connection, placed into pieces