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明清易代之际的八大山人曾作《巨石小花图》,左画一巨石,右画一小花,并题诗云:“闻君善吹笛,已是无踪迹。乘舟上车去,一听主与客。”画中花石,相得益彰,给观者以圆融平宁之感。朱良志先生近著《南画十六观》一书(以下简称“《南》书”)引述此画,称此画是记晋代诗人王子猷与音乐家桓伊之事:王子猷道闻桓伊经过,虽慕桓伊笛艺,但因并不认识桓伊且桓伊官位远在自己之上,故不敢造次。桓伊默知其心,欣然下车为其演笛,王子猷则
In the Ming and Qing dynasties, the Badashan people used to make “boulder flower map”, painting a huge rock on the left and painting a small flower on the right, and wrote a poem saying: “Wen Jun Shan Piper is no trace. Go, listen to the Lord and the guest. ”“ Painting flowers, complement each other, giving the viewer a sense of harmony Pingning. In his recent book, ”The Sixteen Views of South Painting“ (hereinafter referred to as the ”South Book"), Mr. Zhu Liangzhi quoted the painting as saying that this painting is a poet about Prince Hsieh and musician Huan Yi of the Jin Dynasty: Prince Wen Tao Huan Yi After, though Mu Huan Yi flute arts, but do not know Huan Yi and Huan Yi official position above their own, so afraid to make times. Huan Yimo know their heart, pleased to get off for their play flute, the prince is then