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《苦海净土——我们的水俣病》《神灵的村庄》和《天之鱼》是日本当代著名女作家石牟礼道子蜚声海内外的“苦海净土”三部曲。作者以二十世纪五六十年代日本四大公害之一的水俣病为题材,通过事实与虚构并存的半纪实性书写,描述了水俣病患者的痛苦以及患者家庭与氮肥公司进行诉讼斗争的艰难历程。本文试从生态批评的视角,剖析其作品“苦海净土”三部曲所书写的人与自然、人与人、人与社会不和谐关系产生之根源,探讨石牟礼道子的生态创作意识。
“Bitter Sealand - Our Minamata Disease” “The Village of the Gods” and “The Sea of Fish” are famous trilogy of the “Pure Land,” trilogy famous at home and abroad by the famous contemporary Japanese woman writer Shimizu Mori. The author, with the theme of Minamata disease one of Japan’s four major public nuisances in the 1950s and 1960s, describes the pain of patients with Minamata and the hardship of patient litigation between the family and Nitrogen Fertilizer companies through half-written factual and imaginary writing course. This paper attempts to analyze the root causes of the discordant relationship between man and nature, man and man, man and society written by his works Trilogy from the perspective of ecological criticism and to explore the ecological creation consciousness of Shumubury Tao.