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陶澍书法美学来源主要包括三个方面:一为唐人之法,二为北碑之意,三为二王之韵。其美学源泉的多样性,呈现出了陶澍独特的书法美学特征。
Tao Shu calligraphy aesthetics sources include three aspects: one is the method of the Tang people, the second is the meaning of the North monument, the third is the rhyme of the two kings. The diversity of its aesthetics source presents Tao Shu’s unique calligraphic aesthetic characteristics.