在中国近代新文化运动背景下,就中国画改革、新艺术运动、艺术教育方面林风眠推出“中西调和”之观念。“调和”的功用在于在事物相异之“两难”中发现契合点,从而实现短长互补,“调和”理论不仅在林风眠艺术探索中,也在其艺术教育中得到充分的体现。 Under the background of the modern Chinese new cultural movement, Lin Fengmian introduced the concept of “reconciling Chinese and western cultures” in the fields of Chinese painting reform, art nouveau movement and art education. The function of “reconciliation” lies in finding points of convergence in the “dilemma” of things dissimilarity so as to realize short and long complementarity. The theory of “reconciliation” is not only found in Lin Fengmian’s art exploration but also in his art education The embodiment.