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我国第一部大型歌剧《王昭君》于20世纪30年代诞生在上海。多年来,非但该剧一直鲜为人知,且其剧本作者亦无人考定。本文根据新发现的相关史料,明确认定该剧剧作者为萧梅,即民间文学作家和理论家、著名的《格萨尔史诗》研究家萧崇素;并从歌剧的创作过程、剧本组织和剧诗构造三个不同维度,对剧本创作中的诗性表现及手段做了必要的分析总结。祈望通过这一研究,对中国歌剧早期探索中的剧本创作手段有更为真切的了解,以有益于当代的歌剧文学创作。
The first large-scale opera “Wang Zhaojun” in China was born in Shanghai in the 1930s. Over the years, not only has the drama been little known, and its script author has no test. Based on the newly discovered relevant historical materials, it is clearly confirmed that Xiao Mei, the writer and theorist of folk literature, and the famous researcher “Gesar epic”, is the author of this drama. From the creation process, the script organization and the drama poem Constructed three different dimensions, made the necessary analysis and summary of the poetic performance and means in the script creation. Pray that through this research, we can have a more real understanding of the script creation means in the early exploration of Chinese opera in order to benefit the contemporary opera literature creation.