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在美学研究的范畴内,意象是一种审美心理现象,被解释为有一定意义的明白的形象。对于根艺来说,审美活动不仅突出地反映在欣赏的过程中,而且创作过程同时伴随着审美活动的存在;因此意象性也就贯穿于根艺创作和欣赏过程的始终。那么意象性在根艺中有哪些表现呢? 在根艺创作中,创作者综合自然中或生活中诸多零散的事物形象及其细节,按照可能有的逻辑结构,抓住最能反映事物本质的形态特征,抛开偶然的形象枝节或不注重对象的具体形态,创造一个朦胧含蓄的艺术形象。这一形象及其意蕴必须经过欣赏者的联想
In the category of aesthetics research, imagery is an aesthetic psychology phenomenon, which is interpreted as a clear and meaningful image. For Genyi, aesthetic activities are not only prominently reflected in the process of appreciation, but also the process of creation is accompanied by the existence of aesthetic activities. Therefore, the imagery also runs through the process of creation and appreciation of Genyi. So what are the manifestations of Genyi in root art? In Genyi’s creation, creators synthesize many fragmented things and their details in nature and life, and according to the possible logical structure, grasp the essence that can best reflect the essence of things Morphological characteristics, aside from accidental image branches or do not pay attention to the specific shape of the object, to create a dim and subtle artistic image. This image and its meaning must go through the appreciation of the association