矾水水痕线发现以后,给我的雪景画研究带来新的转机。但它仅仅只是一个绘画因素,要转变成为一种技法还必须与中国画的笔法和墨法结合,转换形成一个独立绘画语言。这种语言不仅要具有独特的表达方式,还要有可重复性并能经得起时间的考验。前面还有无数道难题需要一个个去克服和解决。因为这是没有任何前人留下可参照的艰难探索和尝试,犹如在黑暗中向着仅有的一点点微弱朦胧的光亮摸索着前行,很难预料其最终结果能否走出黑暗,迎接光明。 After the discovery of alum water scar line, give me a new turning point in snow landscape research. But it is only a painting factor. To be transformed into a technique must also be combined with the brushwork and ink painting of Chinese painting to form an independent painting language. This language must not only be uniquely expressed, but also be repeatable and stand the test of time. There are innumerable problems in front of one by one to overcome and resolve. This is because no predecessors have left untold hard exploration and trial of reference. It is as if they are groping forward in the darkness with only a little bit of dim light, and it is hard to predict whether the end result will be able to step out of darkness and meet the light.