所谓的创新,在我接受的艺术教育来说,其实是“完善”。《艺术沙龙》:您怎样评价“70后”“80后”画家的艺术创作?陈文瑛:可以说,从艺术发展史的角度来看,“70后”“80后”的画家有其不幸的一面,也有其幸运的一面。从社会经济文化发展的大环境来看,这两代画家是十分幸运的。国家社会秩序相对平和,经济发展强劲,国家实力处于一个上升期,他们有条件接触到众多的经典作品、展览以及艺术大师,而且书画市场的火爆也能支持他们从容地去 The so-called innovation, in my art education, is actually “perfect”. Art Salon: How do you evaluate the artist’s artistic creation after 70s 80s? Chen Wenying: It can be said that from the perspective of the history of art development, The painter has its unfortunate side, but also has its lucky side. From the socio-economic and cultural development of the environment, these two generations of painters are very lucky. The national social order is relatively peaceful, with strong economic development and a rising national strength. They have access to a large number of classics, exhibitions and masters of the arts in a conditional manner. Moreover, the popularity of the painting and calligraphy market can also support them to calmly go