本文是针对刘道广教授《〈金刚经〉和〈画山水序〉》一文而作 ,刘先生之文 ,在一、未能探明宗炳所处历史时代的佛学思想和美学思想浪潮的大背景 ;二、未能探明宗炳本人的佛学思想和美学思想的源流 ;三、对《金刚经》研究不甚深刻的情况下 ,便武断地认定《画山水序》“是超越历史的” ,“是由于受《金刚经》般若学说‘见诸相非相’的思辨主旨的推动”的 ,这种结论是没有根据的。本文就是从以上3个方面进行论述 ,提出个人看法 ,与刘先生商榷 This article is directed against Professor Liu Daoguang’s “Diamond Sutra” and “Painting Landscape Series” and a text, Mr. Liu’s article, in one, failed to ascertain the history of Zong Bing in the historical era of Buddhism and a wave of aesthetics ideological background; Second, failing to find out the origins of Zong Bing’s own Buddhist thoughts and aesthetics; Third, judging the “Diamond Sutra” without much research, he arbitrarily decided that “painting the landscape” is “beyond history” and “ This conclusion is unfounded because it is driven by the speculative thrust of ”Vajraska“ Prajna doctrine that ”see each other’s non-phase." This article is from the above three aspects to be discussed, put forward personal views, to discuss with Mr. Liu