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后现代主义戏仿在解构传统的同时保持了文化的连贯,伊莉莎白·乔莉将戏仿的这一特性运用在她的大多数作品里。她借助戏仿传统婚礼、童话原型、经典的女人形象以及男性眼中的女性美标准,来嘲讽并重宣正统男权社会的审美及伦理标准,颠覆但并不显偏颇,从而得以轻松地讲述女人的故事,避开了一般性的伦理解读和道德批评。
Postmodernist parodies maintain cultural coherence while deconstructing tradition, and Elizabeth Jolie uses the parody of this feature in most of her works. By mocking and emphasizing the aesthetic and ethical standards of orthodox patriarchal society, she tries to mimic the aesthetic and ethical standards of traditional patriarchal society by imitating the traditional wedding, the prototype of the fairy tales, the classic image of the woman and the standard of female beauty in the eyes of the male to subvert but not be biased in order to easily tell the woman The story, to avoid the general ethical interpretation and moral criticism.