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文章试图探索近来在美国的全球性迁移与种族多样性是如何影响文化产品 ,又如何使重审美学在当代社会的性质与作用成为必要的。基于对文艺传统批评标准的重新评价和对解构理论的认识 ,批评家和学者们受到鼓励去创立一种新的、更具历史感的、政治上带有自我意识的评判文化产品的标准 ,以使先前被狭隘的美学标准所拒绝的艺术作品和文化表达有公平的机会 ,虽然作者也注意到过度提倡文化差异与区别会产生消极的影响 ,如导致非正义和压迫 ,甚至会滋生冲突等。社会科学和人文学科所面临的任务 ,是在尽量完整地理解文化产品所处的社会、政治和经济境况的语境下 ,建立起评价文化产品的全新原则。在一个多元文化的社会环境中 ,解构以单一种族、单一性别和单一意识形态的审美意趣为准则的传统经典结构 ,努力建立起与当代理论和文化环境相适应的美学体制。
The article attempts to explore how the recent global migration and ethnic diversity in the United States have affected cultural products and how the nature and role of aesthetics of retrial in contemporary society has become necessary. Based on the re-evaluation of the traditional literary and art criticism standards and understanding of the theory of deconstruction, critics and scholars are encouraged to create a new, more historical, politically self-conscious criterion for evaluating cultural products. It is fair to say that art and cultural expressions previously rejected by parochial aesthetic standards have a fair chance, although the authors also note that over-promoting cultural differences and distinctions can have negative effects such as causing injustice and oppression and even breaching conflicts. The task facing the social sciences and humanities is to establish a new principle of evaluating cultural products in the context of a complete and complete understanding of the social, political and economic conditions in which cultural products are located. In a multicultural society, deconstruct the traditional classic structure that is based on the aesthetic interest of single race, single gender and single ideology, and strive to establish an aesthetic system compatible with contemporary theory and cultural environment.