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考察90年代中国画民族性发展与现代化进程,我们需要的是,通过逻辑学一般的方法对目前显现的和尚未显现的明确而完整的创作格局进行分析和归纳,认识当代的、艺术的创作观念。从中国画创作的当下情境看它的发展取向,深层的意义在于研究水墨语境的民族性与现代化文化的对话,促使艺术家正确地认识自己,调整自己,充实自己,自觉地把握历史,审视现实,在发展中逐步确立中国画艺术的现代品
Looking at the process of national development and modernization of Chinese painting in the 90s, what we need is to analyze and summarize the clear and complete pattern of creation that has not appeared yet through the method of logic, and understand contemporary and artistic concepts of creation. From the perspective of the present situation of Chinese painting creation, its deep development lies in the study of the dialogue between the nationality of ink and wash ink and the modern culture, which enables the artist to correctly understand himself, adjust himself, enrich himself, consciously grasp history, examine reality, In the development of Chinese painting gradually establish the art of modern goods