绘画如何在摆脱旧有模式束缚的同时继承传统、开拓创新,是困扰着当下绘画创作的主要问题。廉学洺的作品通过摆脱点、轮廓和透视的束缚,真正走向了生成和创造的“整体性的有机融合”。此时,画家已经不再拘泥于形式,也不再被各种边界和形式所阻碍,而是自由地运用各种技法来表达真正的核心——情感与体验,从而避开了对“相”的执著,即相而离相、色不异空、空不异色,从而与物化而为一,内外无碍,超越了时间、空间、逻辑,进入空明澄澈之境。 How to inherit the tradition and blaze new trails while getting rid of the shackles of the old mode is the major problem that bothers the contemporary painting creation. His works have really moved toward creating and creating a “holistic organic fusion” by getting rid of the shackles of points, silhouettes and perspectives. At this point, instead of being obstructed by various borders and forms, the painter no longer rigidly attaches to form, but instead freely uses various techniques to express the true core, emotion and experience, thereby avoiding the “ ”The dedication, that phase and phase, the color is not different empty, empty is not different color, so with the materialized as one, both inside and outside without obstruction, beyond the time, space, logic, into the empty Ming clarity.