“我宁愿用”伪资本时代“来形容当今的现实,并以此为出发点去认识中国当代艺术,讨论其中的价值观。”在中国当代艺术语境中,我发现批评家的言论,即使激进,也没有艺术家来得直接。这进一步证实了我长期以来的认知:艺术家内心没有艺术批评的位置。艺术批评最为常见也最为激进的说法是:中国没有艺术批评。这话无法证伪,也无法证实。肯定和否定都有理由,都有证据,都有案例,言之凿凿,姑且 “I would rather use ” pseudo-capital era “to describe today’s reality and as a starting point to recognize Chinese contemporary art, to discuss the values. ” In the context of contemporary Chinese art, I found critics of the remarks Even if radical, no artist came directly. This further confirms my long-term cognition: there is no place for artistic criticism in the artist’s heart. The most common and radical argument of art criticism is that there is no art criticism in China. These words can not be falsified and can not be confirmed. Positive and negative have reason, all have evidence, there are cases, made it clear, tentative