版画在中国近现代美术史中曾有过辉煌 的历程:从鲁迅倡导新兴木刻起,版画就以其 强烈的革命性内容,在上世纪三四十年代发 挥了积极的社会激励功效; 70年代兴起的群 体版画充分表达出豪言壮语式的革命激情;80 年代具有反思色彩的乡土版画与崛起的风俗 风情版画都与当时的社会状态相适应,展示 了特定时期、特定文化背景下人们的审美需 求;80年代后期至90年代前期一些学院版画 Printmaking had a glorious course in the history of modern Chinese art: from the beginning of Lu Xun’s advocacy of new woodcuts, printmaking, with its strong revolutionary content, played a positive social stimulating effect in the 1930s and 40s of the 20th century. Of the group of prints fully expressed the rhetorical rhetoric of the passion of the revolution; 80s with intriguing colors of local prints and the rise of customs style prints are compatible with the prevailing social conditions, showing the specific period, the cultural needs of people under the aesthetic needs; Some college prints from the late 90s to the early 90s