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放荡不羁、挑战世俗是“垮掉的一代”作家的集体标签,读者们习惯于关注作品的反叛性,满足于作品中惊世骇俗的文字和不循常规的生活带来的想象快意,而较少去感知“垮掉”作家孤独、无奈、痛苦和渴望救赎的复杂内心世界。对于杰克·凯鲁亚克的创作,人们更多的也只是关注《在路上》(1957)中畅快淋漓流浪生活,而忽视了凯鲁亚克在其他作品中所表现的内心苦痛与爱的诉求。通过分析凯鲁亚克在另一部小说《吉拉德的幻象》(1956)中所塑造的被视为上帝的使徒却于九岁早夭的吉拉德·杜洛兹身上所闪现的爱与善,展现作者对美国二战后疯狂而冷漠的社会现实的批判与企图找到精神救赎之路的信仰尝试。
Bohemian and worldly challenges are the collective labels of writers of the “Beat Generation”. Readers are accustomed to paying attention to the rebelliousness of their work, content with the horror of writing in their works, and their unconventional lifestyles, To perceive “Beat ” writer lonely, helpless, painful and longing for redemption of the complex inner world. For Jack Kerouac’s writing, people are more concerned with the lively and drifting life in “On the Road” (1957), while ignoring Kerouac’s inner pain and love appeals in other works . By analyzing the love of Keralak in the fiction of Gillard (1956), which was perceived by Keur’aak as an apostle of God, which was glimpsed at Gerald Durotz, who died at the age of nine Be good and show the author’s criticism of the crazy and apathetic social reality of the United States after World War II and its attempt to find a way of spiritual salvation.