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两千多年前,当太史公撰写他的宏篇巨制“史家之绝唱,无韵之《离骚》”的时候,他怎么也不可能想到,有一天,人们会利用电影这玩意儿来写历史。于是乎,那些已随大江东去而逝的风流人物,那些曾在现代史舞台上演出的威武雄壮的活剧,又有可能借着演员的饰演,多方的策划调度,声画并茂、形神兼备、栩栩如生地再现在银幕上。不过,毕竟太史公已给我们留下了一份极其宝贵的精神遗产,那就是他那卓越的史识、崇高的史德和“其文直,其事核,不虚美,不隐恶”的秉笔直书的实录精神。今天,当我们欢呼由于革命战争历史巨片《大决战》(总长超过11个小时)的拍摄成功,我们已经有了无论其规模、篇幅都足堪跟日本影片《战争与人》(长9个小时)、美国影片《战争风云》(长11个小时)相媲美的“超级巨片”的时候,我们更应该关注,我们在运用历史唯物主义观照历史、反映历史时,是否反而还有不如太史公成功的地方。
Two thousand years ago, when Taishi Gongzhi wrote his monumental masterpiece “The Singer’s Vocality, Without Rhyolite,” Li Sao, “he could not think of how one day one would use the movie to write history. . Ever since then, those who have passed away with Oda Jindong romantic figures who had performed on the stage of modern history mighty majestic live drama, but also by the actors play, multi-planning scheduling, Shenglianghuomao shape God Both, vividly reproduced on the screen. However, after all, Taishi Gong has left us with an extremely valuable spiritual legacy, that is, his outstanding historical knowledge, noble moral character and his ” Bing straight book Record spirit. Today, when we cheer for the successful filming of the “Great Decisive Battle” (more than 11 hours in total) of the historical film “Revolutionary War,” we have already had enough space to meet the Japanese film War and Man Hour), and the “super-giant film” comparable to the American film “War Situation” (11 hours long), we should pay more attention to whether or not we are still inferior to the Taishi history in using history materialism to reflect on history and reflecting history Male successful place.