影视文化已占据当代文化主流地位,电影电视也成为当今世界文化传媒中传播最广最快,对人们的思想意识、生活方式影响最大的艺术创造和文化传播方式之一。鉴于此,本期刊发三篇关于当代影视文化研究的学术文章。其一认为,作为一种大众文化,电视的出现给人们的生活带来了方便和快乐,同时也创造着流行,但它的媚俗也使其必然成为主流文化的传声筒,成为一种社会控制的手段;其二指出,走出消费时代名著改编之争的困境,必须祛除“道德”诉求的独断性,还原当代名著改编中多样性的诉求,跨越时空,与原著同气相求,遗形写神;其三认为,在美国的文化产业中,只有电影是无可置疑的全球霸主,电影与文化领导权在此合二为一。好莱坞在贬卖美国电影这一特殊商品时,以其为载体,推广着美国的意识形态和价值观态。 Film and television culture has occupied the mainstream of contemporary culture. Film and television has also become one of the most creative and cultural modes of communication in the world today. It has also become the most widely disseminated media in the world today. It has the greatest impact on people’s ideology and lifestyles. In view of this, the current issue of three articles on the contemporary culture of film and television academic articles. One thinks that as a mass culture, the advent of television has brought convenience and happiness to people’s lives, as well as creating popularity, but its vulgarity also makes it inevitable to become the voice of the mainstream culture and become a social control Secondly, to get out of the predicament of the adaptation of the famous class in the era of consumption, we must eliminate the dictatorship of “morality” and restore the demands of diversity in the adaptation of contemporary famous works. Third, God believes that in the cultural industries of the United States, only films are undisputed global hegemony, and film and cultural leadership are combined here. As a carrier of Hollywood’s devaluation of the special commodity of American cinema, Hollywood promotes the ideology and values ​​of the United States.